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The National - 'First Two Pages Of Frankenstein' review: their best record in a decade. With a little help from Taylor Swift, Phoebe Bridgers and Sufjan Stevens, the US indie heroes deliver.
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The band—whose members have been busy scoring films and producing Taylor Swift records, among other things—comes together again for a wry, melancholy album of remarkable focus. By. Mark.
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April 23, 2023. Photo: Josh Goleman. At their best, the National spins grand tales of dejection and failed interpersonal connections. The band's songs often seethe with the frustrations of miscommunication, of not being able to satisfy someone else's needs. First Two Pages of Frankenstein offers more cathartic indie-rock melodrama in this.
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Their new First Two Pages Of Frankenstein, then, is a remarkable reassertion of the band's potency: the sound of a third act being forged through the hell of depression and writer's block.It.
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79. Generally favorable reviews based on 21 Critic Reviews What's this? User Score. 8.4. Universal acclaim based on 37 Ratings. Summary: The ninth full-length studio release from indie rock quintet The National features guest appearances by Phoebe Bridgers, Sufjan Stevens, and Taylor Swift. Buy Now.
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his week sees The National releasing First Two Pages Of Frankenstein, the latest chapter in their novelistic discography and first full album since 2019's acclaimed I Am Easy To Find. This new collection of songs has the storied act rethinking their approach to the craft of songwriting and landing on a sound that uses sophisticated tones to add a sense of maturity to their child-like wonder.
The National's new album, First Two Pages of Frankenstein, will be released April 28th on 4AD
The music on First Two Pages of Frankenstein matches the mood of the lyrics, with melancholy piano taking a starring role on many of these songs. Opener "Once Upon a Poolside" starts with a.
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The National Battles Back With Ninth Album, 'First Two Pages of Frankenstein': 'We Needed to Lose Each Other and Find One Another Again'. Matt Berninger felt paralyzed. The 52-year-old.
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This was (pardon the lame pun) music to my ears. And, at its best, First Two Pages Of Frankenstein lives up to that original promise. This is the most National-like that The National has sounded.
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T wenty-four years and nine albums into their career, the National are still examining their sadness. The New York-based band have recently pursued solo projects, with singer Matt Berninger.
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Ninth album 'First Two Pages Of Frankenstein' - named to reflect the blank and desolate wastelands that open Mary Shelley classic noir novel, one that helped Berninger work through his.
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Released: April 28, 2023 [2] First Two Pages of Frankenstein is the ninth studio album by the American indie rock band the National, released on April 28, 2023, by 4AD. [3] The album was produced by The National at Long Pond studio in upstate New York and features guest appearances from Sufjan Stevens, Phoebe Bridgers, and Taylor Swift.
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First Two Pages of Frankenstein is The National's ninth studio album. This 11-song collection signals a new chapter in the band's discography. Anchored by evocative melodies and an enthralling lyrical narrative, First Two Pages of Frankenstein finds The National sounding more creatively energized than ever and poised to earn them even more.
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But on the whole, First Two Pages of Frankenstein is an excellent exploration into recovery from depression, passion and addiction and is one of the finest records The National have released in quite some time. All this publication's reviews. Read full review. PopMatters. May 2, 2023.
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The National's ninth album, First Two Pages of Frankenstein, is consumed with keeping track: where things diverged, where things were lost, what has been accumulated since. The band is taking.
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Notably, First Two Pages also features some of the first big-name collaborations to appear on a National record: Sufjan Stevens, Phoebe Bridgers, and Taylor Swift, all of whom are widely regarded as some of the best songwriters in their class. Their impact is felt subtly - Bridgers airy vocals contrast with Berninger's booming baritone.
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